The Drumming Encyclopedia – TEACHER’S EDITION

All 25 Volumes + A Teacher’s Guide

The teacher’s edition is a comprehensive collection of all 25 volumes sold as a whole set with plain covers and a bonus “teacher’s guide” volume.

The teacher’s guide is a manual improvising on each section of every volume.

Take a look into each volume:

  • TEACHER’S GUIDE

    The teacher’s guide volume takes the drummer to a whole new level of independence.
    It’s main aim is to teach the drummer to reach absolute maximum potentional in all areas of drumming.
    It also has sections to teach drummers to combine patterns and combine techniques.
    Each section of every volume from the drumming encyclopedia has something added to increase playing ability.
  • TECHNIQUE

    84 pages – 4 Sections

    This is by far the most important volume of them all.
    It is a must have for every drummer regardless of level reached or years of playing experience.
    There are 16 chosen patterns to train each limb to reach maximum playing ability.
    There is a section dedicated to note combinations for alternating playing.
    This volume has 2 sections which lead the drummer into the first step of co-ordination.

  • RUDIMENTS

    60 pages – 4 sections

    Each page has a minimum of 35 patterns.
    Triplets and 16th notes written on Snare using:
    Rests, Accents, Doubles, Flams, Drags, Ruffs & Buzz.
    Each rudimental technique is played in each position of the bar, to all positions of the bar.
    Then each rudimental technique is combined with another in each bar.

  • CO-ORDINATION

    124 pages – 9 sections

    This volume is a step by step program,training each limb to work with another.
    Starting with 2 limbs working together 12 ways, to 4 limbs playing together.
    Each section is written in 8th notes,triplets and sixteenths.

  • HI-HATS

    112 pages – 21 sections

    In this volume,all Hi-Hat techniques are being covered.
    Including variations;accents;open hats and doubles.
    There are 9 sections devoted to Hi-Hat independence,
    Right hand on ride & left hand on Hi-hats.

  • ROCK

    128 pages – 16 sections

    The Rock volume is filled with beats that go way beyond normal rock beats.
    It begins with easy patterns,then moves on to more difficult beats.
    It teaches the use of 8th notes, Triplets, 16th notes, 16th note Triplets in a rock beat, for the bass drum and the snare drum.
    There are also 4 sections of 2 bar patterns.

  • SYNCOPATION

    98 pages – 4 sections

    This volume explains how to play syncopation whilst holding the groove.
    The patterns in this volume have never been seen before in any drumming book.
    The whole volume is written in 2 bar patterns.

  • FUNK

    82 pages – 2 sections

    The funk volume will push the boundaries of any drummer.
    There are 80 pages of snare & bass variations written with a straight 8th note Hi-Hat pattern.
    There are also 48 Hi-Hat variations chosen to be played with the 80 pages of snare & bass variations.

  • TRIPLETS

    92 pages – 9 sections

    The triplets volume is written with an 8th note triplet Hi-Hat pattern.
    Commencing with basic bass drum variations, then basic snare variations.
    Then combining snare & bass variations.
    The patterns gradually increase in difficulty, to the level of 16th note triplet variations.

  • SHUFFLES

    116 pages – 10 Sections

    The shuffles volume includes 8th note shuffle & 16th note shuffle Hi-Hat patterns.
    Starting with basic bass drum variations then basic snare drum variations, to basic snare drum and bass drum variations.
    Then moving to more complex patterns.

  • JAZZ

    106 pages – 6 sections

    The Jazz volume will teach the student total independence whilst keeping the ride & hi-hat rhythm.
    Starting with the snare drum then the bass drum then moving on to snare & bass drums.
    There are sections teaching phrasing using ride, buzz rolls and fills.

  • ALT ON HATS – TRIPLETS

    110 pages – 20 sections

    Using Rudimental Techniques in different positions such as: Accents, Rests, Open Hi-Hats, Doubles & Ruffs.

    Each section is devoted to the use of each rudimental technique and then sections of techniques combined.
    There are sections of snare variations, bass variations and tom variations, finishing on snare & bass variations.

  • ALT ON HATS – 16TH NOTES

    154 pages – 20 sections

    Using Rudimental Techniques in different positions such as: Accents, Rests, Open Hi-Hats, Doubles & Ruffs.

    Each section is devoted to the use of each rudimental technique and then sections of techniques combined.
    There are sections of snare variations, bass variations and tom variations, finishing on snare & bass variations.

  • TRIPLETS FILLS

    182 pages – 15 sections

    This volume has fills never seen before in any drumming book, using the whole kit from 1 count fills to 1 bar fills.
    Fills are written in every position in the bar.
    These fills can be used in all types of drumming styles.

  • 16TH NOTE FILLS

    124 pages – 12 sections

    This volume has fills never seen before in any drumming book.
    Written to fill on 4 then on 3, there are also sections filling on 2 & 3.
    There are three sections covering half bar fills, giving the drummer the opportunity of creating full bar fills and also creating soloing ideas.

  • DOUBLE BASS

    100 pages – 16 Sections

    The Double Bass volume covers all aspects of double bass drumming, from the most commonly used patterns to the most diverse.
    There are sections with ride variations, sections explaining the use of Ruffs in double bass drumming and a very challenging section on 32nd notes.

  • 3/4 GROOVES

    106 pages – 6 sections

    This volume covers the use of ¾ grooves in the styles of Rock, Jazz, Funk, Double Bass & Shuffles.
    There is also a section covering Hi-Hat variations.

  • 5/4 GROOVES

    164 pages – 9 sections

    This volume covers the use of 5/4 grooves in the styles of Rock, Funk, Shuffles and a very large section in Jazz.

  • PARADIDDLES

    132 pages – 21 sections

    This volume covers the use of paradiddles on the drum kit.
    There are 26 paradiddle variations used with bass drum variations.
    There are sections which include the use of paradiddles in fills, including the use of toms, crash and open hats.

  • DOUBLE PARADIDDLES

    164 pages – 16 sections

    This volume covers the use of double paradiddles on the drum kit.
    There are 9 double paradiddle variations used with bass variations.
    There are sections of full bar fills, including the use of toms, crash and open hats.

  • FUNK FUSION

    110 pages – 18 sections

    There 6 Hi-Hat variations selected written with Snare & Bass drum variations.
    It’s funk style drumming with a slight variation to the hi-hat rhythm.
    This volume sits in between funk and fusion styles of drumming.

  • WORLD GROOVES

    88 pages – 13 sections

    This volume has every world groove known to mankind including: Latin Grooves, Bossa Nova, Reggae, Samba, Baiao, Mambo, Songo, Mozambique, Soca, Calypso, Guaguanco, Bembe and much, much more.

  • POLYRHYTHMS

    156 pages – 16 sections

    This volume covers an area of drumming which is very complex.
    It begins with variations producing two different rhythms, building up to variations producing three different rhythms.

  • INDEPENDENCE

    134 pages – 9 sections

    This volume teaches the drummer whilst playing the beat to also produce another sound.
    The patterns written in this volume are not just technique development excercises, they are rhythms that can be used.

  • LINEAR

    94 pages – 6 sections

    The Linear volume is filled with patterns never seen before.
    It has many of the professional drummers on the edge of their seat and is also challenging for a lot of teachers as well.
    This volume explains true linear drumming style, patterns are written in triplets and sixteenths.

  • FUSION

    122 pages – 12 sections

    The Fusion volume has 12 selected Hi Hat patterns written with bass and snare variation.
    It teaches more than just the style of fusion drumming but also leads the drummer to the first step of independence and polyrhythm.

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